This one is mostly done, but not quite. I’m making a blue sash to go over the shoulder, because this dress has a particular purpose. It’s going to be on the cover of my upcoming steampunk book series: The Journals of Miss Winnifred Sebastian-Veals. Set in 1839, it follows the adventures of a group of intrepid women, the Society of Queen’s Own Monster Hunters, as they travel to exotic places in service to Queen Victoria. The first in the series, A Manifestation of Monstrosities, will be published in December.
I bought the yellow satin in the fabric district of Los Angeles last year, when I was visiting my dream dress, the also yellow “Canary Dress” from Crimson Peak.
This one turned out to be good practice for that one – if I ever get the time to devote to making it. For instance, I can’t find the right color of greenish-yellow anywhere…but I learned that if you need to flat line a yellow satin dress, and you only have black fabric, lining yellow with black actually gives it a greenish tint, and adds a whole lot of depth and texture. Totally doing that when I make the Crimson Peak dress!
If you’re interested, I am posting the first half or so of the new book series on my Goodreads page. It’s still a bit rough, as I haven’t finished the editing yet, but I’ll keep posting new chapters until the book actually comes out in print. You can find those chapters here: https://www.goodreads.com/story/show/510071-a-manifestation-of-monstrosities-the-journal-of-miss-winnifred-sebastia?chapter=1
Since the dress itself is mostly finished, I am turning my attention to the various props that will also be a part of this cover, and of the covers to come. A mermaid mask from Venice. A rag doll with the head of the Egyptian god Anubis. A skull. A birdcage. A mechanical heart.